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  • Alyson Shotz: Un/Folding

    Alyson Shotz: Un/Folding
    thru Mon. May 27th

    at Hunter Museum of American Art

    Coinciding with the completion and unveiling of her new permanent commission in early 2019, the Hunter Museum is organizing a special exhibition of works by Alyson Shotz. Un/Folding features work that explores forces of nature, folding, feminism and craft. Folding is a process that is found all over the natural world and is crucial in scientific study as...

  • Throwback Thursday

    Throwback Thursday
    Thu. Jun 6th
    4pm – 8pm

    at Hunter Museum of American Art

    Enjoy our permanent collection FREE of charge. Throwback Thursday at the Hunter is generously sponsored by See Rock City.

  • Artful Yoga with Jimmy Urciuoli

    Artful Yoga with Jimmy Urciuoli
    Sun. Jun 9th
    1:30pm – 3pm

    at Hunter Museum of American Art

    Join us for an art inspired active yoga practice led by Yoga Landing instructor Jimmy Urciuoli. A $5 donation for Artful Yoga supports the Hunter's educational programs. Please bring your own yoga mat. ABOUT // Artful Yoga is an ongoing series connecting art from the Hunter Museum with yoga taught by local and visiting instructors. Donations support Hunter...

  • Glackens and Renoir: Affinities & Distinctions

    Glackens and Renoir: Affinities & Distinctions
    Sat. Jun 22nd
    thru Sun. Sep 22nd

    at Hunter Museum of American Art

    One of America’s leading modern artists, painter William Glackens (1870-1938) had a keen interest in the work of French artist Pierre-Auguste Renoir that has long been recognized. He saw the French Impressionist's works in New York galleries as early as 1908 and had unique access to the growing art collection of his friend and colleague, Albert C. Barnes....

  • Noel Anderson: Blak Origin Moment

    Noel Anderson: Blak Origin Moment
    Fri. Oct 11th
    thru Sun. Jan 12th

    at Hunter Museum of American Art

    A native of Louisville, Kentucky, Noel Anderson is known for his explorations into the evolving makeup of black male identity through the me­dium of textiles. Using found imagery from various media and archives, including television and magazine, Anderson adds, subtracts, manipulates and distorts the original pictures, which are then woven into tapestries. ...

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