After nearly a decade, the legendary CHIODOS (Alternative Rock) has stormed back onto the scene!

CHIODOS’ return performance at the 2024 WHEN WE WERE YOUNG festival in Las Vegas was nothing short of legendary. CHIODOS made history with an unforgettable, high-octane set that left fans in awe and buzzing for days. One of the most anticipated acts of the weekend, CHIODOS lit up the stage with a showcase of iconic tracks from their groundbreaking albums All’s Well That Ends Well and Bone Palace Ballet.

This was a triumphant celebration of the 20th anniversary of All’s Well That Ends Well, the album that started it all! During the jaw-dropping set, frontman Craig Owens took the energy to another level, announcing a headline anniversary tour.

Fans can expect an all-out musical blowout, reliving the unforgettable hits – and maybe catching a few surprises along the way. Buckle up, CHIODOS is BACK and ready to ignite the stage!

Also featuring:

Hawthorne Heights (Emo)

Throughout their long and storied career as one of the most iconic emo acts of the new millennium, the quartet have overcome obstacles at every turn – but these roadblocks always seemed to come from external forces, unscrupulous record labels & the shifting whims of fickle audiences to unimaginable personal tragedy threatening to derail them.

Despite the odds, Hawthorne Heights have overcome: earning two Gold albums ('04’s The Silence In Black And White and '06’s If Only You Were Lonely), penning some of the genre’s most well-known songs (“Ohio Is For Lovers,” “Saying Sorry”), & remaining a touring act nearly two decades after forming in Dayton, Ohio.

Also featuring:

Emmure (Metalcore)

For a generation of malcontents and outsiders desperate for that extra bit of adrenaline, just to make it through another day, the unrivaled ability of Frankie Palmeri to flip his middle fingers at the world (and himself), with equal bravado and passion, has made EMMURE essential listening.

Heralded as pissed, politically incorrect, and “the most polarizing metal band since Limp Bizkit” in a Revolver Magazine cover story which sought to contextualize internet shit-posts and the band’s “brutish brand of hip-hop-inflected deathcore,” EMMURE lets the music do the talking, first and foremost. Frankie Palmeri doesn’t mince word onstage or off and EMMURE albums are allergic to complicated metaphors and overflowing with unrelenting, unforgiving, unstoppable beatdowns.

Also featuring:

Big Ass Truck (Hardcore Punk)